Creative-relational inquiry

Dr Marisa de Andrade, University of Edinburgh (School of Health in Social Science)
 

The Tummy Beast by Roald Dahl

One afternoon I said to mummy,
“Who is this person in my tummy?
“Who must be small and very thin
“Or how could he have gotten in?”
My mother said from where she sat,
“It isn’t nice to talk like that.”
“It’s true!” I cried. “I swear it, mummy!
“There is a person in my tummy!
“He talks to me at night in bed,
“He’s always asking to be fed,
“Throughout the day, he screams at me,
“Demanding sugar buns for tea.
“He tells me it is not a sin
“To go and raid the biscuit tin.
“I know quite well it’s awfully wrong
“To guzzle food the whole day long,
“But really I can’t help it, mummy,
“Not with this person in my tummy.”
“You horrid child!” my mother cried.
“Admit it right away, you’ve lied!”
“You’re simply trying to produce
“A silly asinine excuse!
You are the greedy guzzling brat!
“And that is why you’re always fat!”
I tried once more, “Believe me, mummy,
“There is a person in my tummy.”
“I’ve had enough!” my mother said,
“You’d better go at once to bed!”
Just then, a nicely timed event
Delivered me from punishment.
Deep in my tummy something stirred,
And then an awful noise was heard,
A snorting grumbling grunting sound
That made my tummy jump around.
My darling mother nearly died,
“My goodness, what was that?” she cried.
At once the tummy voice came through,
It shouted, “Hey there! Listen you!
“I’m getting hungry! I want eats!
“I want lots of chocs and sweets!
“Get me half a pound of nuts!
“Look snappy or I’ll twist your guts!”
“That’s him!” I cried. “He’s in my tummy!
“So now do you believe me, mummy?”
But mummy answered nothing more,
For she had fainted on the floor.

Schoolgirl Jemima is overweight. When asked to fill in a survey on how she feels about her body, she will circle ‘very satisfied’, because food makes her feel safe. It turns out that Jemima has been abused. She turns to comfort eating and, on a subconscious level, she uses food to make herself deliberately unattractive to her abuser. She tells her counsellor that Roald Dahl’s The Tummy Beast is her favourite poem, but her survey scores are meaningless. It is the stories behind the numbers that tell us what is really going on.

Creative-relational inquiry (CRI) is a dynamic conceptual frame for research that is context-sensitive, experience-near and personal. It engages the political, social and ethical. It problematises agency, autonomy and representation by providing detailed, close-up explorations of public health relationships, using the arts, performance, collaboration and traditional methodological approaches. Instead of speaking or acting on behalf of someone based on existing beliefs, it considers the background of those who dominate narratives and looks for evidence that has been overlooked. Missing voices and new emotive forms of knowledge rise to the surface, to tell us what it means for (sometimes silenced) individuals to be independent and free.

CRI allows my personal experiences as a public health researcher to be part of the research. I speak with my voice as my interpretations aren’t value-free – they may influence findings and interventions in ways that aren’t aligned with users’ views. So, CRI also brings participants’ knowledge claims, lived experiences and voices to the research.

CRI proposes that the issue of child obesity, particularly in relation to social inequalities, can be tackled by positioning the individual at the heart of public health. CRI allows their expressions – their evidence, in whatever form is suitable for them – to cut through and breathe life into statistical datasets that provide few or inaccurate insights into their experience of child obesity (something they may not even consider to be a problem). CRI accepts that ‘the person’ may have valuable recommendations for bringing about change that we, so-called public health experts, do not have access to. People like Jemima become our expert: she decides what counts as evidence. It could be a poem, a diary, hip-hop music – and it’s up to us to listen to her.

Understanding child obesity: who am I?

Who am I to propose an understanding of the phenomenon of child obesity? An ‘expert’ in community-based ‘interventions’? A privileged scholar with an understanding of ‘valid’ research deemed worthy by the scientific community? An academic with enough power or knowledge to assert that my understanding of child obesity is the ‘right’ one?

From Jemima’s perspective, child obesity is more than the result of a complex tangle of psychological, biological, cultural, social and environmental effects. It’s the way she experiences life. The way she is treated by others. The way her identity is (co-)constructed. It is the way she experiences emotions – her inner world, subjective truth or reality. And how this meets her outer world, objective truth or reality – the obesogenic environment skewed towards high fat, salt and sugar foods promoted to those of low socio-economic status.

Jemima knows her diet isn’t healthy, and knows how being overweight makes her feel. Jemima decides what child obesity means to her and what actions to take. She is the expert, not me. My own understanding of child obesity would, as Masuda et al (2013) put it, ‘include the narratives that reproduce, reinforce, and legitimise particular claims’ of this phenomenon. My position as ‘expert’ would offer expertise that ‘subordinates other perspectives’, and propose perspectives that ‘treat people as ‘‘data’’ rather than formidable sources of knowledge and agency.’

Making Jemima the central agent means her testimony about her lived experiences of the issue becomes the foundation for conceptualising it – for coming up with meaningful ways of tackling it. CRI provides us access to context-sensitive, interpersonal data that can be used in a variety of ways. Public health interventions must accept these types of data, not dismiss them as anecdotal evidence.

Addressing child obesity?

By focusing on Jemima’s understanding of child obesity I would not neglect the structural causes of ill health and inequality. For example, the harm done by the marketing of cheap processed foods targeted at Jemima, her family and friends must be addressed too. But top-down interventions imposed without understanding communities’ lived experiences can further stigmatise the marginalised and may widen health inequalities. Academic literature is populated with such examples, and I see it first-hand when conducting research in disadvantaged communities.

Jemima could work with me, health practitioners and third sector professionals to help us understand which mechanisms could help her community. Through co-production – equal and active input by those who use services – we could co-produce appropriate services, policies and outcomes. This relies on trust.

Meaningful engagements must be cultivated over time, as change won’t happen overnight. We’ll commit to long-term outcomes supported by sustained resources for evolving initiatives. Working collaboratively, we’ll use upstream approaches to challenge structural causes of inequalities and child obesity.

Jemima’s community will drive the process of change, and become familiar with mutually reinforcing public health responses to child obesity. An example of this is Hastings’ 3Cs model: containment of the pathogen (by regulation); counteracting its spread (by community led initiatives); and critical capacity building (with media, marketing and health literacy).

These different kinds of actions have been identified through ongoing research, and often co-produced with communities. We know it’s working when community members take ownership of the issue and become instrumental in the (social) change process. They set their own definitions, means of data collection, measurement scales and outcomes.

What is evidence?

Thinking of evidence in a way that doesn’t acknowledge the role of creativity hinders access to the human experience. Even positive measures like trust and empathy are difficult to evaluate, so we’re talking about ‘validating the feels’ – recognising that people’s views are essential evidence that enable us to understand their stories and outcomes, as well as the inputs, outputs and costs. Often, it’s the narrative behind the data that gives the richest picture.

By engaging with the personal, we can contextualise healthy eating and living in practical and sustainable ways for children and their families in specific communities. We can gather data and co-design ‘interventions’ in ways that are appropriate to them. We can work with community members as they gain confidence to challenge the status quo.

Conclusion

Through the lens of CRI, the challenge of child obesity becomes a real issue for people and communities, rather than an abstract analysis. Inner worlds meet external realities to challenge power structures and traditional paradigms. It is a new way of thinking, being, doing. A new way of collecting data, objectifying the subjective – accessing diverse ‘truths’ from diverse communities through creative community engagement. Then convincing others that gathering evidence and implementing ‘interventions’ to understand and tackle complex issues leading to sustained, meaningful change is fundamentally linked to the creative and relational.


1 From Dirty Beasts, published by Jonathan Cape Ltd & Penguin Books Ltd. © The Roald Dahl Story Company Ltd.

Previous Next